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"It's like if": il potere degli exhibit negli science center e nei musei, tra immersione e illusione

Bibliografia

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-Čapek K. (1995), R.U.R. Rossum's Universal Robots, Synergon Edizioni, Bologna;

-Coxall H. (1991), How language means: an alternative view of museum text, in G. Kavanagh (ed.) Museum languages: Objects and texts, Leicester University Press, London, pp. 85-99;

-Durant J. (1996), Science museum, or just museum of science?, in S. Pearce (ed.) Exploring Science in Museums, Athlone, London, pp. 148-161;

-Gregory R. (2000), Public perception of science, (editorial to) Perception, vol. 29, pp. 1273-1278, Pion publisher, London;

-Hein H. (1990), The Exploratorium: The Museum as Laboratory, Smithsonian Institution Press, Washington DC;

-Jeannerod M. (1991) A Neurophysiological Model for the Directional Coding of Reaching Movements, in J. Paillard (ed.) Brain and Space, Oxford, Oxford University Press;

-Kanizsa G. (1980), Grammatica del vedere. Saggi su percezione e gestalt, il Mulino, Bologna;

-La Paglia V. (2002), Il ‘600: magnificenza del giardino francese e sua influenza nel resto d'Europa (prima parte), Prometheus, anno II, n° 32;

-Lamarck J-B. (1790), Mémoire sur le Cabinets d’histoire naturelle, et particulièrement celui des Jardin des Plantes, in M. Landrieu, Lamarck, le fondateur du transformisme, 1909, p. 42-51;

-Lord B., Lord D.G. (2002), The manual of museum exhibitions, AltaMira Press, CA;

-Losano M.G. (1990), Storie di automi. Dalla Grecia classica alla Bella Epoque, Einaudi, Torino;

-Macdonald S. (1998), Exhibitions of power and power of exhibition, in S. Macdonald (ed.) Politics of Display. Museums, Science, Culture, Routledge, London;

-McManus M. P. (1991), Making sense of exhibits, in G. Kavanagh (ed.) Museum languages: Objects and texts, Leicester University Press, London, pp. 35-46;

-Oppenheimer F. (1973), Everyone is you… or me, in M. Quinn (ed.) Sharing science: Issues in the Development of Interactive Science and Technology Centres; Nuffield Foundation in Association with the Committee on the Public Understanding of Science, London;

-Oppenheimer F. (1980), Exhibit conception and design, talk presented at annual meeting of International Commission on Science Museum, Monterey, Mexico;

-Pasquinelli E. (2002), Introduzione alla percezione aptica, seminario tenuto presso il Dipartimento di Filosofia dell’Università di Pisa, in data 26 giugno;

-Pasquinelli E. (2003), Oggetti e presenza in realtà virtuale, Sistemi Intelligenti, anno XV, n° 3, pp. 475-491;

-Van Praet M. (1996), La science en scène, atti del convegno Information et communication scientifique et technique, tenutosi al Palais de la Découverte nel 1992-1993, Presses de l'Ecole normale supérieure et Palais de la découverte editore;

-Von Schlosser J. (2000), Raccolte d’arte e di meraviglie del tardo Rinascimento, Sansoni, Firenze;

-Wagensberg J. (2000), In Favor of Scientific Knowledge: The new museums, in S. Lindqvist (ed.) Museums of Modern Science, Science History Publications, USA, pp. 129-138;

-Wagensberg J. (2001), Basic principles of modern scientific museology, talk presented at annual conference of ICOM (International Council of Museums);

-Wagensberg J. (2003), Emotion for immersion, talk to the annual conference at ECSITE (European Collaborative for Science, Industry and Technology Exhibitions), Munich 27-29 November;

-Xanthoudaki M. (2002, ed.), A place to discover: teaching science and technology with museums, Fondazione Nazionale della Scienza e della Tecnologia «Leonardo Da Vinci», Milano.

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